The Interview Chapter-7 Class 12 Book-Flamingo Chapter Summary

 The Interview 

 Part - I 

Introduction

Invented over 130 years ago, the interview has become a cornerstone of journalism, widely recognized and experienced by most literate individuals. Many celebrities have participated in interviews, often being interviewed multiple times throughout their careers.

Varied Opinions on Interviews

The interview is perceived in contrasting ways: some regard it as a high form of art and a valuable source of truth, while many celebrities find it intrusive and harmful. Interestingly, in some primitive cultures, interviews and even photographs are believed to "steal the soul" of the person involved, reflecting a deeply ingrained cultural sensitivity.

Celebrity Perspectives on Interviews

• V.S. Naipaul: Believes interviews can wound people and cause them to lose a part of themselves.

• Lewis Carroll: Had a deep fear of interviews and avoided them, viewing them as invasive.

• Rudyard Kipling: Condemned interviews as immoral, equating them to an assault, yet ironically had once interviewed Mark Twain.

• H.G. Wells: Referred to interviews as an "ordeal," but participated in many, including interviewing Joseph Stalin.

• Saul Bellow: Described interviews as suffocating, likening them to "thumbprints on his windpipe."

Significance of Interviews:

Despite criticisms, interviews continue to be a powerful form of communication. Denis Brian emphasizes their role in shaping modern perceptions of notable people and events. The interviewer holds significant influence as a medium for conveying important ideas and sharing key moments with the public.

Conclusion:

Interviews, while often criticized for their intrusiveness, are indispensable in shaping public perceptions and facilitating communication in contemporary society. Their impact on journalism and culture cannot be overstated.

 Part II 

Introduction

The chapter introduces Umberto Eco, a celebrated scholar and writer, renowned for his work in semiotics, literary theory, and medieval aesthetics. He became widely famous with his novel The Name of the Rose, which sold millions of copies worldwide. The interview is conducted by Mukund Padmanabhan from The Hindu.

Eco’s Multidisciplinary Work

Mukund asked about David Lodge’s remark on Umberto Eco’s ability to excel in multiple fields of work. Eco explained that while he appears to engage in diverse activities, all his work—whether in fiction, children’s books, or academic writing—is centered around the same philosophical and ethical interests. He also shared his secret to productivity: utilizing “empty spaces” or interstices in his day, such as waiting for an elevator, to complete small tasks like writing articles.

Informal and Playful Writing Style

Mukund observed that Umberto Eco's scholarly work was less dry and more personal compared to traditional academic styles, and asked if this approach was intentional. Eco explained that at the age of 22, his doctoral dissertation was praised for its narrative style, as it told the story of his research. This positive feedback inspired him to adopt a similar approach in his academic writing, which eventually influenced his transition to writing novels.

Transition to Writing Novels

Umberto Eco revealed that he began writing novels accidentally around the age of 50. Unlike his friend Roland Barthes, who regretted not venturing into fiction, Eco felt no such frustration. Instead, writing novels became a way for him to fulfill his passion for storytelling.

Identity as a Scholar vs. Novelist

When Mukund noted that despite having over 40 academic works, Umberto Eco is primarily recognized as a novelist, Eco responded by identifying himself as a university professor and scholar first, describing his novel-writing as “Sunday writing” done occasionally. However, he acknowledged that novels have a broader reach and connect with a larger audience.

Success of The Name of the Rose

When Mukund asked if Umberto Eco was surprised by the success of his novel, which blends detective fiction with complex themes like theology and metaphysics, Eco replied that he was not surprised. He explained that some readers actively seek intellectually challenging books. He contrasted this with his own preference for watching light TV shows for entertainment after dinner.

Mystery of Success

Umberto Eco recounted an anecdote where his American publisher initially predicted low sales for The Name of the Rose in the U.S., but the novel went on to sell millions of copies. He concluded that the success of books is unpredictable and often hinges on the right timing.

Conclusion:

The chapter highlights Umberto Eco’s versatility, his philosophical grounding across all his work, and his belief in the unpredictability of literary success. His intellectual humor, work ethic, and narrative approach emerge as key takeaways from the interview.